Works
Upcoming Works
• The Birds (2026)
World premiere at the Royal Dramatic Theatre (Dramaten),
Stockholm, 22 October 2026
Seven people gather for a weekend together. Then the outside world disappears. A darkly comic new play about power, dependency and what happens when a small group becomes the whole world to one another.
• New Commission (2028)
A new work commissioned by a major Swedish theatre. Currently in development.
• Forgiveness (2029)
A large-scale performance in which fifty people step forward, one by one, to apologise directly to the audience, turning guilt, responsibility and confession into a collective encounter.
Open for international co-production.
Selected Works
• Rathaus (2026-)
A two-act play in German about bureaucracy and systemic violence.
Available for international touring from 2027.
• Guided Tour of the
Untrue History (2026-)
World premiere, Pesaro, 6 August
A fictional guided tour travelling through Italy and Serbia.
Available for international touring from 2027.
• Art and Money (2025-)
An international co-production on the impossible relationship between art and money.
Available for international touring from 2027.
• The Year Was 2023 (2023–2024)
Every debit and credit from a personal bank account scored for voice and piano, tracing the emotional, economic and existential logic of a year.
• Fight/Bråk (2022–)
Four hours of quarrels with out catharsis.
Live bluegrass music.
Available for international touring from 2027.
• Baywatch (2022–)
A work about conversation, where a beach becomes the site for plotless yet magnetic dialogue.
Available for international touring from 2027.
• Monologue for Telephone (2022)
A phone-based performance written for members of parliament, performed live by 349 actors calling from across the country.
• Five Muses (2018)
Ten years of a female collective’s leadership meetings, blind-read on stage by male directors and theatre-makers.
• Dear Stage (2016)
A square, five bars, one band, and endless waiting in lines.
• BILLS (2013)
A collectively created performance examining Sweden’s new banknotes and how value, representation and national identity intertwine.
• They Who Do Not Love Me Do Not
Deserve to Live (2011)
A monologue built from imagined narratives around Muammar Gaddafi, staged as a public address tracing the fall from global favourite to total loss of trust.
• The Kinda Cheaper, Not As Good
Wedding (2010)
On the day of the Swedish royal wedding, twenty strangers were randomly matched—across gender and sexuality—to enact the full cycle of marriage and divorce in a single staged ceremony.
