Archive
• TBA (2026)
A large-scale, darkly poetic performance tracing a group’s slow transformation over 100 days, where realism gradually gives way to a collective and unsettling shift in identity.
• Rathaus (2026)
A two-act play in German and English about bureaucracy and systemic violence.
• Guided Tour of the
Untrue History (2026)
A fictional guided tour travelling through Italy and Serbia.
• Art and Money (2025)
International co-production on the impossible relationship beween art - and money.
• The Year Was 2023 (2022–2023)
Every debit and credit from a personal bank account scored for voice and piano, tracing the emotional, economic and existential logic of 2023.
• Fight/Bråk (2022–2025)
Four hours of quarrels with out catharsis.
Live bluegrass music.
• Baywatch (2022–2026)
A work about conversation, where a beach becomes the site for plotless yet magnetic dialogue.
• Monologue for Telephone (2022)
A phone-based performance written for members of parliament, performed live by 349 actors calling from across the country.
• Five Muses (2018)
Ten years of a female collective’s leadership meetings, blind-read on stage by male directors and theatre-makers.
• Dear Stage (2016)
A square, five bars, one band, and endless waiting in lines.
• BILLS (2013)
A collectively created performance examining Sweden’s new banknotes, each printed with cultural personalities,
and the ways in which value, representation and national identity intertwine.
• They Who Do Not Love Me Do Not
Deserve to Live (2011)
A monologue built from imagined narratives around Muammar Gaddafi, staged as a public address to the people — tracing the fall from global favourite to total loss of trust.
• The Kinda Cheaper, Not As Good
Wedding (2010)
On the day of the Swedish royal wedding, twenty strangers were randomly matched—across gender and sexuality—to enact the full cycle of marriage and divorce in a single staged ceremony.
